![]() Or maybe is the preset that the editor has been using. ![]() I was wondering if this brands can upload larger files than "normal"users. this videos are always in a good quality ( never blurry and the saturation looks fine. mp4 exports and some doesn't.įor exemple, if you wacth video from brands like I-D, Nowness. But what I can't figure out is how some videos stay the same as the original. And Instagram's compress maybe is the issue. And also a preset for Instagram's IGTV videos and Instagram's Reels videos. And trying to figure out how I can built a preset to 1 minute Instagram's videos. Some videos in Instagram (if you compare with the original .mp4 export) loses saturation and get blurry. I have been talking to some editors and they have similiar problems. My time line is like this: Work Color Space Rec.709. I am using like this: Modify > Interpret Footage > Color Managment > Use color space from file Rec. That is the thing, some videos looks like the export video, others don't look like the export videos in Instagram.ĭoes anybody have this issues? I have been doing a resource in the web, but haven't find much about it. Then I upload and I have noticed some videos are less saturated and blurry then my. mp4 in VLC and it is the same color of the Pro Res 422 Master. I noticed that some videos are blurry when I uploaded in Instagram. Media Encoder setup for Instagram's videos: Export my Master from Adobe Premiere in Apple Pro Res 422 (Match Sequence Settings) in 1920x1080 Trancode this Sony's files to Apple Pro Res 422 and edit it in a 1080p timeline ![]() Record my footage in Sony a7sIII (some files in XAVCS 4K, a couple in XACS-I 4K) It checkmarked those boxes to the right of categories like frame rate automatically and greyed them out, because they now match the source.I have been exporting some videos for Instagram. (seen in the img above) Here are my export settings: VIDEO. It did this for me automatcially when I hit the "match source" button under basic video settings. My video was shot with a Canon DSLR (rebel t5i or EOS 700D) - at 1920x1080p, 25fps, 48000Hz, Stereo etc. Pay attention to the summary section where it says output and source - you want those to match 1920x1080 16FPS. For example FLV is usually meant for low quality web distribution, so it might not have the other options unlocked or available to change The key point I'm trying to make is if you pick certain formats or codecs - some of them have limitations. But you can use others like cineform, uncompressed, etc. A common one that I use is quicktime animation codec (I sometimes do 3d work on other progams and it's interoperable across programs and platforms). I put arrows on the categories I changed. It might not be 100% applicable because of CC vs. I'm a bit busy with other stuff right now, but if you still can't get it I'll try to walk you through with screenshots later today. For example, if you had it set to NTSC DV, 1920x1080 would be "illegal", that's why the button isn't even an option But not all formats will have the "match soruce" available because they don't support it. If you just want to match one characteristic, like frame rate, then there is a box to the right of each entry that will match that characteristic when you have it checkmarked. In AME there is a "match source" button under the video tab, that will match all the characteristics like dimensions, frame rate etc. What I'm trying to say is some options will limit you to specific resolutions and framerates Some codecs are limited or have specific resolutions like DV (NTSC DV is always 720x480). Under "preset" in the export settings, use "custom" which will unlock the other options, or something other than DV When you use AME, there will be presets like NTSC DV - those are SD - that's why you're getting 720x480. Sorry I can't give you exact CS6 steps right now, as that PC is down, and it might be slightly different in CS6 - I can't recall the specific details about the differences off hand.
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